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Sax Scales
Sheetmusic to print
307 sheet music found
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Comprehensive Saxophone Warm-Ups
Comprehensive Saxophone Warm-Ups
#
Saxophone
#
INTERMEDIATE
#
Instructional
#
Nick Mainella
#
Comprehensive Saxophone Warm-U
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
A Proven Method to Increase Technique and Become a Complete Saxophonist. Composed by Nick Mainella. Method. E-book. 68 pages. Mel Bay Publications - D...
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A Proven Method to Increase Technique and Become a Complete Saxophonist. Composed by Nick Mainella. Method. E-book. 68 pages. Mel Bay Publications - Digital Sheet Music #30687EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118294.
Your warm-up time is a precious thing. It can get you off to a great day of practicing or it can set you back every time you pick up your instrument. Learning the correct way to warm up will benefit every part of your playing and send you on your way to mastering the saxophone! This book is the product of the last 10 years of building my warm-up routine and will teach you my proven method guaranteed to improve your playing by leaps and bounds. The exercises in this book are designed specifically for the range of the saxophone and address some of the most common problems that people who play this instrument run into.The main areas of study in this method are:1. Sound Concepts2. Scales & Arpeggios3. Working with a Metronome4. How to Structure Your TimeA good day starts off on the right foot and a good practice session starts off with a quality warm-up. Treat your warm-up time with the care and precision that a brass player or drummer does, and turn a repetitive routine into a new one which challenges you every day.Contained Inside: Sound Concepts aC/ Articulation Patterns aC/ Full Range Major and Harmonic Minor Scales aC/ Full Range Major and Harmonic Minor Thirds aC/ Full Range Major and Minor Arpeggios aC/ Staggered Major and Minor Arpeggios aC/ Major and Minor Seconds aC/ Full Range Chromatic Scale Exercises aC/ Combining Keys with Both Scales and Arpeggios aC/ Full Range Major and Harmonic Minor Fourths and Wider Intervals.
$14.99 ≈
13.98€
Blues Licks at Your Fingertips for Alto Sax, Baritone Sax
Blues Licks at Your Fingertips for Alto Sax, Baritone Sax
#
2 Saxophones (duet)
#
ADVANCED
#
Tony Benade
#
Tony Benade
#
blues scales
#
Blues Licks at Your Fingertips
#
Tony Benade
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 5 - SKU: A0.809134 Composed by Tony Benade. Arranged by Tony Benade. Blues...
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Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 5 - SKU: A0.809134 Composed by Tony Benade. Arranged by Tony Benade. Blues,Instructional,Jazz. Score and parts. 74 pages. Tony Benade #5731713. Published by Tony Benade (A0.809134). This method is a follow up to another study I published a few years back. This method deals with blues forms and their history as well as blues phrases & blues scales.There are also 12 blues etudes that can be developed through the same coded method used in my method, Solving the Puzzle of Jazz.. They are presented in several different keys that are normal for each instrument.
$24.95 ≈
23.27€
Wholly Smokin' is a jazzy, boppy Alto Sax and Tenor Sax duet based on the whole-tone scale.
Wholly Smokin' is a jazzy, boppy Alto Sax and Tenor Sax duet based on the whole-tone scale.
#
2 Saxophones (duet)
#
Jazz
#
Signe Crawford
#
Wholly Smokin' is a jazzy, bop
#
Signe Crawford
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - SKU: A0.1017740 Composed by Signe Crawford. Jazz. Score and parts. 10 pages. Signe ...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - SKU: A0.1017740 Composed by Signe Crawford. Jazz. Score and parts. 10 pages. Signe Crawford #6326819. Published by Signe Crawford (A0.1017740). Wholly Smokin' looks difficult, but practicing the two whole-tone scales will make it easier to play. .
$8.50 ≈
7.93€
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Alto Sax Duo
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Alto Sax Duo
#
2 Saxophones (duet)
#
EASY
#
Jean Baptiste Loeillet of Ghen
#
James M
#
Loeillet: Six Sonatas Op. 5 No
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 2 - SKU: A0.612787 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie....
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Alto Saxophone Duet Alto Saxophone - Level 2 - SKU: A0.612787 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. 2 scores. 59 pages. Jmsgu3 #221981. Published by jmsgu3 (A0.612787). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95 ≈
69.92€
Colour the Mind - Solo for Soprano or Alto Saxophone with Improvisation (optional)
Colour the Mind - Solo for Soprano or Alto Saxophone with Improvisation (optional)
#
2 Saxophones (duet)
#
ADVANCED
#
Lea Detlefs
#
Colour the Mind - Solo for Sop
#
Lea Detlefs
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 5 - SKU: A0.1016979 Composed by Lea Detlefs. Concert,Contemporary,Standards...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 5 - SKU: A0.1016979 Composed by Lea Detlefs. Concert,Contemporary,Standards,World. Score and parts. 3 pages. Lea Detlefs #6114259. Published by Lea Detlefs (A0.1016979). A wide ranging, effervescent piece great for a recital or encore. Cycles through the key of B flat, E flat, and E major. While originally for soprano sax, alto can also play the music as written and it will simply sound in a lower range from the recording. Trills, quick flourishes of ascending or descending scales, and bending of notes in the high range are some of the beautiful features of this music. This piece was inspired by the many wonderful Indian classical music performances I was able to attend while living in Austin, TX. It is meant to sound like an improvisation, and at one point even invites the player to add their own improvisation. The melodic lines are meant to be evocative of the sitar, while the trills preceded or followed by a short staccato exclamation recall the energetic tabla. This piece is not derived from a raga, but the title pays homage to the idea in classical Indian music that the various raga each bring up certain feelings and associations in the minds of the audience, or in other words, colour the mind.
$3.95 ≈
3.68€
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Baritone Sax Duo
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Baritone Sax Duo
#
2 Saxophones (duet)
#
EASY
#
Jean Baptiste Loeillet of Ghen
#
James M
#
Loeillet: Six Sonatas Op. 5 No
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone Duet Baritone Saxophone - Level 2 - SKU: A0.612788 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. ...
(+)
Baritone Saxophone Duet Baritone Saxophone - Level 2 - SKU: A0.612788 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. 2 scores. 59 pages. Jmsgu3 #221982. Published by jmsgu3 (A0.612788). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95 ≈
69.92€
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Soprano Sax Duo
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Soprano Sax Duo
#
2 Saxophones (duet)
#
EASY
#
Jean Baptiste Loeillet of Ghen
#
James M
#
Loeillet: Six Sonatas Op. 5 No
#
jmsgu3
#
SheetMusicPlus
Soprano Saxophone Duet Soprano Saxophone - Level 2 - SKU: A0.612840 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Gu...
(+)
Soprano Saxophone Duet Soprano Saxophone - Level 2 - SKU: A0.612840 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score. 59 pages. Jmsgu3 #222036. Published by jmsgu3 (A0.612840). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95 ≈
69.92€
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Tenor Sax Duo
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Tenor Sax Duo
#
2 Saxophones (duet)
#
EASY
#
Jean Baptiste Loeillet of Ghen
#
James M
#
Loeillet: Six Sonatas Op. 5 No
#
jmsgu3
#
SheetMusicPlus
Tenor Saxophone Duet Tenor Saxophone - Level 2 - SKU: A0.612843 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthri...
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Tenor Saxophone Duet Tenor Saxophone - Level 2 - SKU: A0.612843 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score. 59 pages. Jmsgu3 #222038. Published by jmsgu3 (A0.612843). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95 ≈
69.92€
Kansas All-State Scales - SAXOPHONE
Kansas All-State Scales - SAXOPHONE
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3 Saxophones (trio)
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INTERMEDIATE
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Christopher Burnett
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Kansas All-State Scales - SAXO
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BurnettPublishing.COM
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.954021 Composed by Christopher Burnett. Concert,In...
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.954021 Composed by Christopher Burnett. Concert,Instructional,Standards. 2 pages. BurnettPublishing.COM #3681571. Published by BurnettPublishing.COM (A0.954021). Kansas All-State Scales - SAXOPHONE is based upon the following KMEA All-State Wind & Percussion Music Requirements for the Live Audition: One major scale, two octaves, with up to 4 sharps or 4 flats. Quarter Note MM= 120. Memorization is not required. Slurred up and tongued down. All scales will start on the lowest possible starting note in the practical range. Each scale is non-transposed (i.e., if a trumpet player is asked to perform a C scale, they will be expected to perform a C scale on their instrument, not a C concert scale.) The major scale for each instrument will be posted by the band chairpersons on the morning of live auditions. Compiled and edited by Christopher Burnett, Conn-Selmer Artist, and Clinician.
$5.00 ≈
4.66€
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Alto Saxophone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi.
$32.95 ≈
30.74€
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Soprano Saxophone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire. Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi.
$32.95 ≈
30.74€
Scales And Arpeggios
Scales And Arpeggios
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Tenor Saxophone
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Walt Disney
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Children
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Scales And Arpeggios
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.328922 This edition: Interactive Download. Children,Disney. Tenor Sax Solo. 1 pages. Published by Hal Leonard - Digital (HX....
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Interactive Download SKU: HX.328922 This edition: Interactive Download. Children,Disney. Tenor Sax Solo. 1 pages. Published by Hal Leonard - Digital (HX.328922).
$2.99 ≈
2.79€
Scales And Arpeggios
Scales And Arpeggios
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Alto Saxophone
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Walt Disney
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Children
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Scales And Arpeggios
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.328920 This edition: Interactive Download. Children,Disney. Alto Sax Solo. 1 pages. Published by Hal Leonard - Digital (HX.3...
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Interactive Download SKU: HX.328920 This edition: Interactive Download. Children,Disney. Alto Sax Solo. 1 pages. Published by Hal Leonard - Digital (HX.328920).
$2.99 ≈
2.79€
The Ultimate Saxophone Scale Book: Complete Levels 1-4
The Ultimate Saxophone Scale Book: Complete Levels 1-4
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Alto Saxophone
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Instructional
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Vanessa Klassen
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The Ultimate Saxophone Scale B
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Vanessa Klassen
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SheetMusicPlus
Alto Saxophone Solo - SKU: A0.1258062 Composed by Vanessa Klassen. Instructional. Individual part. 94 pages. Vanessa Klassen #851302. Published by Vanes...
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Alto Saxophone Solo - SKU: A0.1258062 Composed by Vanessa Klassen. Instructional. Individual part. 94 pages. Vanessa Klassen #851302. Published by Vanessa Klassen (A0.1258062). This ultimate scale book is comprised of four levels from beginner to advanced. Each level is also available separately. In this scale book, you will find: Full-range fingering chart Level 1 (Beginner): 5-note scales in 7 major keys and 7 minor keys Level 2 (Early Intermediate): 1-octave scales and arpeggios in every major and minor key Level 3 (Intermediate): 2-octave scales and arpeggios in every major and minor key with scalar exercises Level 4 (Advanced): extended scales in every major and minor key with arpeggiated exercises Fingering suggestions Chromatic scales for each level Theory tips
$24.99 ≈
23.31€
愛 (Ai, Japanese for Love), Tenor Saxophone Duet
æ (Ai, Japanese for Love), Tenor Saxophone Duet
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2 Saxophones (duet)
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INTERMEDIATE
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David McKeown
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æ
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David McKeown
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SheetMusicPlus
Tenor Saxophone Duet Tenor Saxophone - Level 3 - SKU: A0.590651 Composed by David McKeown. Holiday,Love,Wedding,World. Score. 4 pages. David McKeown #62...
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Tenor Saxophone Duet Tenor Saxophone - Level 3 - SKU: A0.590651 Composed by David McKeown. Holiday,Love,Wedding,World. Score. 4 pages. David McKeown #6231067. Published by David McKeown (A0.590651). 愛(Ai, Japanese for Love), is a beautiful original composition by David McKeown, arranged as a duet for two Tenor Saxophones, and is one of series of pieces celebrating Love in different languages around the world.This duet is inspired by the Enka music of post-war Japan. As reconstruction gathered pace, the popular music of the day combined traditional Japanese scales, rhythms and themes with all sorts of contemporary Western ballad styles. Singers like Misori Hibari and Keiko Fuji became huge cultural icons in Japan and helped lay the foundations for today’s confident and vibrant Japanese music scene. 愛(Ai) aims to capture the spirit of this emotionally charged music. 愛(Ai) is written for players at an intermediate standard and upwards. Expressive throughout, be sure to pay attention to contrasts in dynamics and articulation. 愛(Ai) has a performance time of around two minutes and a half minutes. Click the link above to listen to a full YouTube performance of the Clarinet version.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.72€
愛 (Ai, Japanese for Love), Alto Saxophone Duet
æ (Ai, Japanese for Love), Alto Saxophone Duet
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2 Saxophones (duet)
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INTERMEDIATE
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David McKeown
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æ
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David McKeown
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SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.590647 Composed by David McKeown. Holiday,Love,Wedding,World. 2 scores. 4 pages. David McKeown #6...
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Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.590647 Composed by David McKeown. Holiday,Love,Wedding,World. 2 scores. 4 pages. David McKeown #6231059. Published by David McKeown (A0.590647). 愛(Ai, Japanese for Love), is a beautiful original composition by David McKeown, arranged as a duet for two Alto Saxophones, and is one of series of pieces celebrating Love in different languages around the world.This duet is inspired by the Enka music of post-war Japan. As reconstruction gathered pace, the popular music of the day combined traditional Japanese scales, rhythms and themes with all sorts of contemporary Western ballad styles. Singers like Misori Hibari and Keiko Fuji became huge cultural icons in Japan and helped lay the foundations for today’s confident and vibrant Japanese music scene. 愛(Ai) aims to capture the spirit of this emotionally charged music. 愛(Ai) is written for players at an intermediate standard and upwards. Expressive throughout, be sure to pay attention to contrasts in dynamics and articulation. 愛(Ai) has a performance time of around two minutes and a half minutes. Click the link above to listen to a full YouTube performance of the Clarinet version.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.72€
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